Arts Actions

Work on Shirts

Opera House Painter's Statement

"Guerilla Performance Locator"

Claudia Raddatz

Baghdad Page

(posters and web pages)

Tom Tomorrow Cartoons

Ariel Dorfman's Poem

Australia's PM placed under mass citizen's arrest

International Corporation of Lost Structures

objectives are that through collaboration and members' involvement in their own explorative projects, ICOLS will become a fascinating conceptual and sometimes also humourous and beautiful investigation into, and commentary upon, our current position/s in relation to history, culture, nostalgia, communications and bio-technologies, global capitalism, aesthetics, ethics, belief systems and revolution.

published from posts on the Australian contemporary arts mailing list ACAM

"Guerilla Performance Locator"

Artists Leslie Hill and Helen Paris have created the Guerilla Performance Locator, a live net map of art and activism at this time of global crisis. As belief in direct public action surges in the face of impending war, the Guerilla Performance Locator brings non-violent politically motivated performances and iconoclastic art works together by inviting contributions from artists and activists around the world.

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last updated 9/4/03

The Works on Shirts ProjectOn, May 3rd, 2003,

(http://www.worksonshirts.org) invites you to join "WEARNICA", an international exhibition of artistic reactions to war created on the backs of white cotton dress shirts. On the day of the event, participants in cities around the world will form a walking art gallery, wearing original works they've created into museums and monuments, parks and shopping malls to help raise public awareness of the brutal and self-destructive nature of war in our time.

On March 20th, The US and it's allies began their invasion of Iraq. Don't let battlemaps and high-tech pictures of military weaponry be the only images we remember from this war! It's up to all of us to bear witness to the images that don't show up on the evening news.

In 1937, Pablo Picasso was moved by the massive bombings of a small town in Northern Spain to create "Guernica," one of the twentieth century's greatest, most unsettling visual expressions of the horrors of war. By

following Picasso's example we can help portray this tragedy for what it is, in the hopes of making future wars less palatable to those who would wage them, and those who would stand by and do nothing.

Here's what YOU can do:

Please take a moment to visit the site and please forward this information to anyone who opposes the war in Iraq. No previous art experience is required, only a desire to DO SOMETHING to express your personal opposition to this war and your concern for the future of peace in the world.

The Idea is Simple: By creating original anti-war inspired artwork that can be worn as clothing, it's possible to stage a demonstration in any location open to the public. As long as the individual participants conform to the standard behavior for the general public in the space, the white dress shirts will tie the pieces together into a cohesive whole, and the images will speak for themselves.

For more information go to:
http://www.worksonshirts.org

Peace Research Home

AUSTRALIA'S PRIME MINISTER PLACED UNDER MASS

CITIZEN'S ARREST.

As Australia commits troops to the war in Iraq tens

of thousands of concerned Australian citizens have

become voluntary UN peacekeepers and are surrounding

The Lodge in Australia's capital Canberra this week,

placing John Howard under house arrest on behalf of

the United Nations.

>

The action began early this morning (Wednesday 19th

March) as a Greenpeace cadre, dressed in blue UN

berets, swooped on The Lodge in a number of mock

United Nations four-wheel-drive vehicles, blocking

each entrance and chaining themselves to the gates.

>

Mr Howard has stated recently that "any opposition to

the war should be aimed at him and his party rather

than the troops in the Gulf or the Americans". To that

end a large peaceful citizens army is converging on

Canberra today to assist Greenpeace officials in

placing John Howard under house arrest in an attempt

to prevent a gross miscarriage of international

justice. Organisers, under advice from lawyers

specialising in international law, say he has no legal

right to take military action explicitly against the

directives of the UN security council. Among the many

other tragic outcomes of war, it will expose Australia

to a possible international war

crimes trial and vastly increase targeting of

Australia by middle-eastern terrorist organisations.

Prime Minister Howard is increasingly isolated in

his position to commit troops, with massive resistance

to his actions both in the population at large,

amongst the opposition parties and increasingly within

his own

party.

Citizens coming to Canberra are encouraged to bring

tents, camping equipment, food and drink, barbeques,

motor-homes, house-trucks, caravans, hammocks, banana

lounges and volley-ball nets. If they own, or have

access to, a white 4WD or any other white vehicle,

they

have been asked to neatly tape the large black UN

initials on the front doors and, if possible,

the roof, as these will be highly visible from

television news helicopters. Citizens wearing a pale

blue beret or head-wear will become honorary UN

peacekeepers.

This mass protest action is non-violent and will

involve possibly the largest number of citizens ever

to gather in Canberra, completely surrounding the

official residence. Based on the huge turn-out at

recent

protests it is planned to form a wide, peaceful,

all-human 'no fly zone' campsite around the compound.

The action will continue as long as Australian troops

are firing shots in anger in Iraq.

At this stage tacit support has been given to this

action by Jon Stanhope, the ACT's chief minister, on

the condition that

a) it remains

non-violent,

b) does not include trespass inside the Lodge

compound and

c) there is no damage to property.

He said in a public statement earlier today that

"..it is every citizens right to protest peacefully,

and

if necessary, to preserve the safety of protesters on

public roads, particularly in front of the

Lodge itself and the surrounding roads, then police

and local officials will be directed to make any

medium-term road closures as would be appropriate".

The Australian Local Government Association (ALGA) has

stated that it will support it's membership in

co-ordinating local-government-funded buses from towns

and cities in each state to provide subsidised

transport to

Canberra in the next few days. Councillor Brian

Matthews, ALGA Senior Vice President, and President of

the Municipal Association of Victoria, has encouraged

rate-payers to contact their councillors to make use

of the bussing co-ordination strategy. Mr Matthews

said this morning "Local government can have an

important role in providing services to the community

that allow

smaller centres, particularly in regional and remote

areas, to express their views."

There will be a range of entertainment provided and

short-term child-minding facilities are being

negotiated with local creches, although toilets and

other services services are being finalised. Citizens

are encouraged to bring their own supplies and

particularly fresh water.

A memorial service will be held on the occasion of the

first civilian and/or military deaths by Australian

military action. Organiser Warren Goodfellow said

today "Many Australians feel numb and disconnected at

the moment, confused about what to do and how to make

themselves heard by Mr Howard. This is a turning point

in history, and Australia is one of only a very few

countries that are going in boots and all. Don't look

back at this week from some time in the future and say

'I stood by and did nothing'. Organise some friends or

family, take some time off work, pack a tent, pile

into a car and come to Canberra. You'll be able to say

you were there when we brought the troops home."

This is a citizens action. You have an important role

as part of this movement. Please cut and paste this

mail to your own email and send it to as many people

on your address list today. Send it to people who you

wouldn't think would normally participate in an action

like this, recent events show that huge numbers of

Australians will join us. Please make sure that people

who work in the media, newspapers, and in large

organisations get this email. People like

receptionists can have access to huge numbers of

contacts. Send it to people you know who have contact

with large memberships, like sporting clubs and

volunteer organisations and local, state and federal

representatives. If necessary

make a couple of calls today to find their email

addresses. For this movement to grow quickly this

email needs to go today to people who can send it on

to

many hundreds of others.

Even if you are unable to participate yourself, if

only one or two of your friends or acquaintances goes

to Canberra on your behalf, your vote will be

heard and democracy will be served. It's as easy as

forwarding a petition, but it's impact will be felt

right at the heart of the problem. John Howard

himself.

Gone are the days when the leaders nations would lead

their own troops into battle, so we would like Mr

Howard to learn a little about what it is like to live

under siege.

In the mean time we urge you to telephone the Prime

Minister's office today and share your views.

Phone:(02) 6277-7700

Fax: (02) 6273-4100

This is a direct line to his office staff, who will

take your call in person and in a very calm

professional way. Make yourself heard any way you can.

See you in Canberra!


Peace.

Ellis Hutch

Peace Research Home

Pablo Picasso has words for Colin Powell

from the other side of death

Ariel Dorfman

25 - 2 - 2003

When the US Secretary of State presented his case against Iraq at the UN Security Council on 5 February, the tapestry of Guernica that routinely hangs there was covered up. This symbolic denial of a supreme artistic response to war moved Ariel Dorfman to poetry.


Yes, even here, here more than anywhere else,

we know and watch what is going on

what you are doing with the world

we left behind

What else can we do with our time?

Yes, there you were, Mr. Secretary,

I think that is how they call you

there you were

standing in front of my Guernica

a replica it is true

but still my vision of what was done

that day to the men to the women

and to the children to that one child

in Guernica that day in 1937

from the sky

Not really standing in front of it.

It had been covered, our Guernica,

covered so you could speak.

There in the United Nations building.

So you could speak about Iraq.

Undisturbed by Guernica.

Why should it disturb perturb you?

Why did you not ask that the cover

be removed

the picture

be revealed?

Why did you not point to the shrieking

the horse dying over and over again

the woman with the child forever dead

the child that I nurse here in this darkness

the child who watches with me

as you speak

and you speak.

Why did you not say

This is why we must be rid of the dictator.

Why did you not say

This is what Iraq has already done and undone.

Why did you not say

This is what we are trying to save the world from.

Why did you not use

Guernica to make your case?

Were you afraid that the mother

would leap from her image and say

no he is the one

they are the ones who will bomb

from afar

they are the ones who will kill

the child

no no no

he is the one they them

from the distance the bombs

keeping us always out of sight

inside death and out of sight

Were you afraid that the horse

would show the world the near future

three thousand cruise missiles in the first hour

spinning into Baghdad

ten thousand Guernicas

spinning into Baghdad

from the sky

Were you afraid of my art

what I am still saying

more than sixty five years later

the story still being told

the vision still dangerous

the light bulb still hanging

like an eye from the dead

my eye that looks at you from the dead

beware

beware the eye of the child

in the dark

you will join us

the child and I

the horse and the mother

here on the other side

you will join us soon

you will journey here

as we all do

is that why you were

so afraid of me?

join us

and spend the rest of eternity

watching

watching

watching

next to us

next to the remote dead

not only of Iraq

not only of

is that why you were

so afraid of that eye?

watching

your own eyes sewn open wide looking

at the world you left behind

there is nothing else to do

with our time


sentenced to watch

and watch

by our side

until there will be no Guernicas left

until the living understand

and then, Mr. Secretary,

and then

a world with no Guernicas

and then

yes then

you and I

yes then

we can rest

you and I and the covered child

STATEMENT OF MOTIVATIONS REGARDING SYDNEY OPERA HOUSE PAINTING

David Burgess
c/- The Wilderness Society
PO Box K249
Haymarket
NSW 1240

& fax to:
(02) 9282 9557

Case to be heard at:
The Downing Centre Local Court
cnr Elizabeth & Liverpool Streets
Sydney

Wed 16th April, 9:30am

STATEMENT OF MOTIVATIONS REGARDING SYDNEY OPERA HOUSE PAINTING

On the morning of the 18th of March 2003, Australia became an aggressor in a war for the first time. Also on that morning, with my friend Dr. Will Saunders, I painted the message ’NO WAR’ on the Concert Hall sail of the Sydney Opera House. I did this as an act of civil disobedience against a war I feel is illegal, immoral and will have terrible consequences for our country.

I do not intend to use the court system as a political platform and I also understand that legally, my actions are to be judged on what occurred at the Opera House. But having watched our Prime Minister and his government ignore the wishes of the vast majority of the Australian people and flout the international statutes and safeguards of the United Nations and the Geneva Convention, I felt betrayed by our democratic system and that my act of civil disobedience had to be as strong as possible while not being violent.

I also wish it to be known that we asked a lawyer and another friend to be present when we ascended the Opera House. I provided the lawyer with my mobile phone number to give to the police, and a written explanation of what we were doing to my friend to hand to any Opera House staff that may have been distressed. I spoke with the police from the top of the Opera House and assured them we would cooperate with them and would not struggle.

Although I have previously used civil disobedience within environmental and peace related issues, I have never used graffiti and do not intend to again. Last week I made contact with the Sydney Opera House and sought to establish the exact costs of cleaning the paint off the building, with a view to paying this out of my own wages and a number of offers of help that Will and I have received.

I also wish to state that I have been moved on a daily basis by the messages of support we have received for our action, not only from Australians, but ordinary people from a large number of other countries as well. This began following our arrests, when, in the loading dock of the Opera House, large numbers of the staff applauded us into the police vehicle.

I do not feel personally gratified by what took place, but I do feel very strongly about the issue our action related to. I would like to apologise to all Australians who were offended by my actions, but would also like to point out that this was a day in our history like no other. I wish to raise all funds associated with the costs of the clean up and that NSW taxpayers do not foot the bill.

It has also been suggested repeatedly by some media commentators in the weeks following our action that we must have received inside help from somebody within the Opera House. This is not true. We simply approached the building and climbed it from the outside.

We had nothing to hide with our action and I have nothing to hide now. I am looking forward to covering the costs of the clean up and getting on with my life. I have no intention of breaking the law in this manner again.

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