| Date 10/11/03 No 199/03
The Song Company, an internationally renowned vocal ensemble, will
perform for the first time with the Australian Brandenburg Orchestra
at Armidale’s second annual Bach Festival, artistic director
Terry Norman said today.
The Song Company has performed all music, from early-period to
cabaret, around the globe. Its performance with the Australian Brandenburg
Orchestra in St Mary’s Cathedral will be a highlight of next
year’s Bach Festival, which runs over five days from February
12. “It is a perfect complement, since the Australian Brandenburg
Orchestra specialises in period instrument performances while a
raison d’etre of the Song Company is performing early music,”
Dr Norman said.
The program for the joint performance on February 13 will include
one of Bach's most beloved cantatas, a motet, and the famous suite
for flute and strings. The Song Company's Artistic Director, Roland
Peelman, commented on how this event extended the ensemble's repertoire.
"In our 20-year existence it has taken a festival in Armidale
to team up The Song Company, internationally known for its early-music
approach, with the Australian Brandenburg Orchestra, the best-known
exponents on period instruments in Australia, even though we are
both based in Sydney," Mr Peelman said. "This allows us
to delve jointly into Bach's greatest vocal works, which require
this type of vocal and instrumental expertise. This is something
that is not normally feasible for a vocal a capella sextet."
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A feature of the joint performance will be the use of period instruments.
Ms Catherine Hastings, Operations Manager for the Australian Brandenburg
Orchestra, said this would give the music a different texture and
sound and add depth to the reportoire. “One of the instruments
being used is a theorbo, which is a member of the lute family but
plays deeper notes,” Ms Hastings said. Another coup will be
the presence of Tommie Andersson, a specialist in early guitar and
lute and Neal Peres da Costa, who will play the harpsichord. Lucinda
Moon will direct the Australian Brandenburg Orchestra.
The Song Company will also give a concert on Saturday 14 February.
"In our solo performance in the Ursuline Chapel on February
14 we will be approaching Bach historically," Mr Peelman said,
"through the great lineage of composers working in Germany
and Austria throughout the 16th and 17th centuries. For those who
want to discover why Bach wrote as he did, this concert could be
revelatory, featuring utter gems by composers such as Schutz, Schein,
Franck, and many others." The Australian Brandenburg Orchestra
will perform separately at the festival’s grand opening, featuring
works by Vivaldi, Dall’Abaco and Telemann as well as Bach.
Dr Norman has organised a number of other events as part of the
festival, including a dramatic workshop for primary school children
at BenVenue School, a performance of Bach’s peasant cantata
in Hanna’s Arcade, and a festival dinner in Booloominbah at
the University of New England (a sponsor of the festival). He said
he aimed to produce “historically informed” performances
and encourage new, more valid ways of interpreting baroque music.
Media contact: Dr Terry Norman on (02) 6771 1407 or Lydia Clifford,
UNE Public Relations Manger, on (02) 6773 2779.
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