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Year:

THEA321 Scriptwriting for the Theatre

Updated: 21 July 2010
Credit Points 6
Offering
Responsible Campus Teaching Period Mode of Study Online Level
Armidale Semester 2 Off Campus C - Internet access required
Armidale Semester 2 On Campus C - Internet access required
Intensive School(s)
Start Finish Attendance Notes
06 September 2010 09 September 2010 Mandatory
Supervised Exam There is no UNE Supervised Examination.
Pre-requisites any 36cp or 12cp in THEA units
Co-requisites None
Restrictions THEA221
Notes

offered in even numbered years

Combined Units None
Coordinator(s) Adrian Kiernander (akiernan@une.edu.au)
Unit Description

This unit is designed to introduce those wishing to sharpen their skills to the demands of scriptwriting. It focuses on types of script and the function of dialogue, and will cover development of character, plot and story line and ideas for script development. Topics covered include sources for script writing (theme, situation); developing character through dialogue, plot development, types of play, physical aspects of the stage, the function of stage directions. On average there is a one hour seminar and a two hour workshop per week.

Prescribed Material
Mandatory
Text(s):

Note: Students are expected to purchase prescribed material

Macbeth
ISBN: 9780141013695
Shakespeare, Any version 2005
Text refers to: Semester 2 , On and Off Campus
The Complete Dramatic Works
ISBN: 9780571229154
Beckett, S., Faber and Faber 2006
Text refers to: Semester 2 , On and Off Campus
Rosencrantz and Guildernstern Are Dead
ISBN: 9780571081820
Stoppard, T., Faber and Faber 2005
Text refers to: Semester 2 , On and Off Campus
Complete Plays
ISBN: 9780413742605
Kane, S., Methuen Drama 2006
Text refers to: Semester 2 , On and Off Campus
Fear and Misery in the Third Reich
ISBN: 9781408100080
Brecht, B., Methuen Drama 2009
Text refers to: Semester 2 , On and Off Campus
THEA321 Collected Plays
ISBN: ARAK01
Theatre Studies Staff (eds), School of Arts
Note: Available from the United Campus Bookshops, UNE
Text refers to: Semester 2 , On and Off Campus
Disclaimer Unit information may be subject to change prior to commencement of the teaching period.
Assessment
Title Exam Length Weight Mode No. Words
Assignment 1 30% 2000
Assessment Notes
Major work (play script)
Relates to Learning Outcomes (LO) and Graduate Attributes (GA)
LO: 2, 3, 4 GA: 1, 2, 3, 6, 7
Exercise 50% 2000
Assessment Notes
Five short writing exercises (10% each)
Relates to Learning Outcomes (LO) and Graduate Attributes (GA)
LO: 1, 2, 3 GA: 1, 2, 3, 6, 7
Workshop 20%
Assessment Notes
Structured Workshop/Intensive School participation
Relates to Learning Outcomes (LO) and Graduate Attributes (GA)
LO: 5 GA: 2, 8

Learning Outcomes (LO) Upon completion of this unit, students will be able to:
  1. understand the elements of a range of scriptwriting forms throughout theatre history;
  2. find promising themes, topics and situations for scripts;
  3. write dialogue which stages interesting characters, action and/or ideas;
  4. demonstrate the ability to write dialogue and action within a clear structure;
  5. analyse and critique his/her own achievements.

Graduate Attributes (GA)
Attribute Taught Assessed Practised
1 Knowledge of a Discipline
This unit provides an advanced exploration of theatre practice, and a wide range of plays, from the particular point of view of the playwright.
True True True
2 Communication Skills
This unit gives students experience in communicating with actors and audiences through the use of dialogue and stage directions.
True True True
3 Global Perspectives
Students study scripts from around the world which represent a range of cultural practices and behaviours.
True True True
4 Information Literacy
Students can make use of IT tools in their research and the typographical layout of scripts but this is not required.
5 Life-Long Learning
The experience of studying scriptwriting encourages ways of thinking and provides insights into the creative process which endure far beyond the immediate period of study.
True True
6 Problem Solving
The writing exercises are set up as problems to be solved creatively.
True True True
7 Social Responsibility
Controlling the representation of others through writing, especially members of minority groups, requires a keen awareness of social responsibility.
True True True
8 Team Work
Students practise working in teams by performing one another's scripts in workshops and at Intensive Schools.
True True True
   

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